recent works. zoë mendelson

I will be performing new written/drawn work - from my novel-in-progress 'The Detroit Project - at the below event on 15 June.

Please come along and listen to the speakers, music and discussion.

SIN PODIUM: Speaking of Writing 15TH JUNE 2009

Presentations and discussion on forms of writing and speaking in Fine Art research.

A one-day event at The Museum of English Rural Life.

10.30am - 6.00pm

M.E.R.L: The Museum of English Rural Life
University of Reading
Redlands Road
Reading
Berkshire
RG1 5EX

Attendance is free but booking is essential Please reserve a place by writing to: sinpodium@yahoo.co.uk

Sin Podium will feature a performance of improvised music by Phil Minton (voice) and Dominic Lash (double bass).

http://sinpodium.wordpress.com

Current research interests

My research brings together interests in museology, architecture/ function and psychological space.

I have a multi-disciplinary practice with drawing pivotal, and relationships sustained between temporal and perennial supports. I mostly make drawing, collage, sculpture and site-specific installation.

I create embellished worlds manipulating idealised spaces and gentility and employing their codes as a cover for seductive excess and psychiatric ‘disorder’. My work takes place on paper, walls, and within communication devices and objects. With conflicting roots in decoration and the functionality proposed by Modernist thought, these dislocated narratives play off intimations of desire, awkwardness and reason.

Painstakingly drawn, these fictions become obsessive and analogue mechanics are referred to in the work as allegories for process. Defunct slide/film projectors, staged as illusory devices, are switched off and allowed to falsely ‘project’ detailed drawings directly onto the wall.

The works relate to each other archivally: Sculptural/object-based pieces become museological and have the irritating arrogance of weight and historical association. Paper works allude to workings-out or chronicling of thought-processes. My wall-drawings are often fleeting – not unlike building elaborate sandcastles before high tide. The different media become vehicles for shifting notations of histories/case studies. They are linked thematically and by a labour-intensity regardless of longevity.

I am currently writing a novel (The Detroit Project) across dimensions and have been awarded AHRC funding towards a doctorate which includes its development. It concerns the altering function and psychology of architectural space and is in textual, drawn and theatrical form.

recent works. zoë mendelson

Model Castle

Open studio (18 - 20 September 09)

Turning into a cinema

Performance documents

St Elmo: Light boxes

3D temporary collages made quickly in the studio and snapped with mobile phone

Mirage 1 (If you lived here you'd be home by now). 2008

Mirage 2 (Unstuffed). 2008

The Projectionist's Illusion (temporal work), Gennevilliers 2008

Collages for the Detroit Project

Collages for the Detroit Project

Sin Podium. Monday 15 June

After Charcot collages

Installation at the CRAC, Alsace. Oct 2008 - Jan 2009

Pages from a book - moleskin project

Failures in the Invention of Cinema. 2008

The Uses of Things (Telescopes). 2008, collage and drawing

Ces Chateaux de Sable, stills from animation. 2008

After Charcot images from interior, Scheherazade's Sideboard installed at Lie Detector

Gennevilliers 2008, Scheherazade's Sideboard installed at Lie Detector

Aftermath, Ces Chateaux de Sable, Gennevilliers 2008

Aftermath, Ces Chateaux de Sable, Gennevilliers 2008

Aftermath of Ces Chateaux de Sable

Gennevilliers 2008, Performance with fax machine, Self defeating Lying Archive

Installation view with lightboxes. Gennevilliers 2008

A Flattening (1) Lightbox. 2008

A Flattening (2) Lightbox. 2008

Drawings from 2007 - 8

Current research interests

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